January 1, 2005
For a lot of
people in the progressive political opposition, the year 2005 will
hopefully come to signify the year of rejuvenation of the U.S. Left,
thanks mostly to two significant events: Cindy Sheehan blowing the lid
off the shamelessness of President Bush and his administration, and
Hurricane Katrina blowing the lid off the shame of racism and the
violence of poverty in the American society.
This
was a year in which the oppositional spirit in the U.S. expanded, in
other words, and hope regained some vitality. And for that, we are very
thankful. Yet, to assure a steady course on the rougher seas ahead, we
must pay attention to the conditions we create for our own actions, and
we must not forget that there are always leaks in our ship that need
constant mending.
One such leak is the way
Leftist journalists in the U.S. incorporate official statements and
representatives in their articles, reporting and/or programming. In the
war of truth against the propaganda of the ruling system, the Leftist
journalist is clearly the David to the system’s Goliath. In this fight
the main (perhaps the only) advantage we have is the hard nuggets of
truth we can pack into and fire from our slingshots. But, the system is
a living being, too, and fights back by diluting the truth, by
softening those nuggets, and by infiltrating our rhetoric and our
institutions. Infiltration takes different forms, but the most
successful form is to get us to internalize the system’s way of doing
things.
For example, why does Amy Goodman
invite rightwing pundits for 'debates’ and 'discussions’? Not just a
few times, but lately quite regularly. Don’t the Rightwing
propagandists have almost all the other platforms already? A majority
of people are thirsting for some truthful explanation of their social
environment, they are dying for some new ideas, and sick and tired of
the same old mainstream typecasting of reality in stupefied, simplified
journalism of 'two sides of the story’. So, why does Amy Goodman mimic
the corporate media?
Item: On Dec 21, 2005,
covering the transit workers’ strike in NY, Amy Goodman had on her
program a certain, and I quote Democracy Now’s own site, "Nicole
Gelnias, contributing editor at the Manhattan Institute’s City Journal. Before that she was a business journalist for Thomson Financial and was a columnist for the New York Post."
The same NYPost,
which is the mouthpiece of that racist, sexist, rightwing international
media warlord, Rupert Murdock! So, clearly Ms Gelnias was not a neutral
agent doing her best to be objective, but a paid propagandist, and she
was using up airtime fast and furious, packing all the lies she could
cram into her time, fabricating at will! And precious little available
airtime had to be dedicated to cleaning up her falsehoods. So, besides
being given the opportunity to sabotage constructive Leftist thinking
on air, why was Nicole Gelnias on the program?
A Case Study
Here
is a short analysis of a recent Democracy Now program featuring a
30-minute 'extended discussion’. The particular program (27 Dec 2005)
was about the movement Critical Mass, the free bike ride movement that
meets once a month to take back the streets, and about the recent
police undercover surveillance to which Critical Mass participants have
been subjected.
The program was divided
into three major segments: 1) 15 minutes — news headlines; 2) 15
minutes — introductory section about Critical Mass, using a
documentary, Still We Ride, produced partially by a producer of Democracy Now! (Elizabeth Press); 3) 30 minutes — extended discussion.
There were four participants in the extended discussion: Jim Dwyer (metro reporter, NY Times), Eileen Clancy (video analyst, I-Witness), Norman Siegel (attorney, former head of NY-Civil Liberties Union), and Paul J. Browne (New York City Police Department’s Deputy Commissioner of Public Information, i.e., police’s PR man).
From a quick count, here is the Number of Turns taken by each discussant:
Paul J. Browne (police): 9-10 turns (depending how you count interruptions)
Norman Siegel (attorney): 5 turns
Eileen Clancy (video analyst): 3 turns
Jim Dwyer (reporter): 2 turns
So,
already you see the overwhelming advantage achieved by the police
PR-man in holding the floor, and therefore dictating which aspects of
the topic to foreground, which ones to push to the background, which
ones to give legitimacy to, and which ones to ridicule or dismiss or
simply not address.
How did the turn
taking work out to such a large extent to the favor of the police
spokesman? To be sure, Mr. Browne was no rude man getting his turns
through verbal bullying and interrupting willfully to gain/maintain the
floor. Not at all. Amy Goodman had already taken care of things through
her formatting.
This is how it worked: you had two progressives plus the NYTimes
reporter (middle-ground, if you insist) going against one reactionary
person. So, every time one of the non-reactionaries put in a word, Amy
Goodman would turn to Mr. Browne, and go, "Response?" (Not exactly with
that kind of brevity, but that was the essence.) So, a non-reactionary
person would say something, and then, in a very civil manner, the floor
would be turned over to the reactionary participant so he could cancel
out any progressive rhetorical accumulation.
Another
numerical data that can shed more light on the potential impact of the
contending ideologies is the total airtime taken up by discussants:
Jim Dwyer (reporter): 6 min, 02 sec
Paul J. Browne (police): 5 min, 50 sec
Eileen Clancy (video analyst): 4 min, 08 sec
Norman Siegel (attorney): 3 min, 58 sec
So,
the police got more airtime than both progressives! Not bad for a day’s
propaganda work. The police managed second place in a group of four
contenders (not counting the host of the program, of course), and, let
us not forget, the police also got twice as many turns as the next best
contender, and more than four times as many turns as the person worst
off (reporter Jim Dwyer, who had the most airtime as compensation).
But, the most obvious thing that can very easily be overlooked (since it is
so obvious) is that the total airtime taken by each participant in this
extended discussion makes clear that, in fact, no discussion took
place! Much less an 'extended’ one!
Can
you seriously and coherently explain a complex social issue — your
basic position on Critical Mass as a social movement, and on the police
surveillance of private citizens in an increasingly oppressive legal
system shaping the parameters of how people may behave in civil society
— in merely four or five minutes? Of course not! (And a clear statement
of your basic position would only be the starting point of any real
debate.) Far less can you develop any ideas in that much
time! How about in six minutes, the upper limit here? Hardly!
Especially given that you are constantly interrupted at every
turn.
In this 'extended discussion’,
most (if not all) points posed by the progressives were interrupted and
refused the opportunity to develop, mainly not by other discussants but
by the formatting of the program. At one point the discussion was even
interrupted by a very unnecessary interjection of yet another segment
(3 min, 10 sec) from the documentary Still We Ride.
It
is worth mentioning that in a segment taking up a total of 30 minutes,
we had at least 5 min, 15 sec worth of significant 'interruptions’
(breaks and airing of documentary), without counting the time taken up
by the host, by either recapping, redirecting, clarifying, or posing
questions. Far more significantly, two participants, Norman Siegel, the
former head of NY-CLU whose wealth of expertise and knowledge could
have been far, far better used in this program, and Eileen Clancy, the
video analyst whose work had produced the original material that
provided the basis for the NYTimes reporter’s piece on this topic, both received less airtime than the interruptions!
The Leak
Take
the qualitative implications of this kind of airtime regimentation.
When you set two or three progressives up against one pro-establishment
person, and set up a very mechanistic system of debate (in
point-counterpoint fashion), all you get is a tennis match of
statements, counterstatements, counter-counterstatements, and so on.
Which is a basic high school-type debate; it lacks any depth, and can
(and usually does) easily become a shouting match.
But
there is more to it than that. Amy Goodman may present it as if she had
invited the police PR-man (or any other Rightist agent sent to bag
Leftist airtime) in order to subject the official to some tough
questioning, and, to be fair, she did try at times. But, such agents
are no pushovers; this particular one was a real smooth one. First, he
successfully tied up a good chunk of the airtime with a semantic side
issue, namely the difference between 'undercover’ and 'plain clothes’
officers assigned to mass demonstrations/gatherings: a totally wasteful
sub-topic, whose value in eating up time must be appreciated by police
PR men.
Further, at every turn, Mr. Browne
punctured the rhetorical force and the case presented by the
progressives, and even put them on the defensive by dictating the terms
of the debate as being about ’security’; and having nothing to do with
practicing one’s First Amendment-protected rights, and definitely
having nothing to do with the fact that roads are public goods, and
everybody has equal rights of access to them, and police has zero
rights to dictate whose use of the public goods must take primacy over
others’.
So setting ’security’ as the
criteria for the debate, he implied further (without being challenged
effectively) that all forms of dissent have immediate security
dimensions. Letting that latter stand unchallenged was bad enough. Mr.
Browne pushed another propaganda point unchallenged, by presenting his
own institution as a benign one looking out for everybody’s safety and
protecting the general well being of the society. In his final turn, as
a response to a significant new topic/question posed by Amy Goodman (in
the closing minutes, please note) about the new ties that have
developed between the CIA and the New York City’s Police Department
(whose new head, Commissioner Cohen, is a former CIA bigwig), Mr.
Browne was even allowed to close with the astonishing (and of course
unchallenged) statement that he thought the newly emboldened
relationship between the NYPD and the CIA was 'fantastic’!
The House of Goodman, for more than a few moments, felt chilly, too filled with officials.
Of
course, the progressive activist participants battled bravely
nevertheless and, in spite of the programming format, did manage to get
some major points in. They brought to attention the alarmingly larger
areas of civil life that have fallen prey to the security state. And
they did question the legitimacy of being surveyed in their private
engagements by the same undercover police who infiltrate their monthly
gatherings. Both themes, however, could have been further developed and
a true interrogation of police conduct could have taken place, but the
format preempted all that.
Without the
police PR-man in the program, there could have developed a continuity
of verbal thought in a meaningful dialogue. What the average listener
of Democracy Now needs most, I would wager, is not some totally
directed and micro-managed conversation that has no impact, but a real
dialogue in which new ideas for better thought-out actions can be
disseminated as widely as possible.
If a
clash of opposing ideas is an absolute (and rightful) necessity, then
why not have a real, free flowing debate between a Leftist and an extreme
Leftist? There are precious few places still standing, where American
journalism can save its soul (meaning, seek the truth), so it becomes
absolutely imperative to establish as a tenet that government officials
do not represent truth, but are agents for maintaining the current
system. The journalistic Left should not have any problem reflecting
that tenet in the content of its professional activities.
Robert
Fisk best put it, "When covering the Sabra and Shattilla massacres, I
did not give equal time to the murderers who carried out the
massacres."
Is it not enough that the same
activists who appeared on this program have to face the intrusive
agents of the state in the streets as they try to access a public good,
in the courts through which they are dragged as a punishment for
attempting to access a public good, and in the major corporate media
that has monopolized almost all public airspace and print media? Why do
they now have to face the police even when appearing on Leftist shows?
The
large picture, as refracted through this analysis of what is happening
to Democracy Now, is that the system’s propaganda machine is seeping
steadily and increasingly into our institutional voices, and we must
pay attention to that. We have already seen the system dictating the
modalities of dissent on the streets: with permits, at the mercy of a
PATRIOT Act-dictated legal system, away from relevant locations of
political events, in cages. Are we going to allow the system to control
the parameters of how we conduct our debates and discussions even in
our own homes?
Let us hope that this
particular leak in the ship will be fixed. Let us renew a sense of
rightful audacity, such as Cindy Sheehan’s, and be truly free from
fears of how we may be portrayed by right wing propagandists. We need
to negate the very rhetorical forms with which this system is
oppressing us. So, if you are a good friend of the good woman of House
of Goodman, please give her a call, and don’t be too shy, and
definitely don’t be ashamed to ask, 'What’s up with all the right wing
trash?’
And a very Happy New Year (of the dog) to all!